Trial and Ellie

I didn’t know whether to post this here, on my blog, or on my newsletter; so I’m sharing it in both places and hoping that doesn’t bug anyone. As I will cover below, I don’t know if I’m doing the right thing, I’m merely trying.

Where do I begin? That is the question. And the issue is that I don’t feel ready, but I’ve come to understand that “ready” is a fallacy. We’re never ready for whatever life has to throw at us, because we can’t be. Not fully. The important thing, though, is that we try.

That’s what this post about. And, honestly, that’s what my life is about. Trying my best, f**king up, and trying again. Because I want to make the most of things. I don’t want to wake up one day at sixty or seventy or eighty years old and lament all the things I could have done if only I’d had more time, or more money, or more energy; if only more people had believed in me, or whatever other excuse/reason I’m currently hanging on to.

All we have is the moment we’re in, and the most we can give is our best. It might not be enough, and probably it isn’t, but what’s the alternative? Give up? Never find out “what if?” Screw that! Even though it’s scary, and even though I don’t fully know what I’m doing, or if I’m going to do it right, I want to try. I *need* to try. I can’t live my life thinking that some elusive tomorrow is when I’m going to give my goals my best shot.

So, in the words of Taylor Swift, this is me, trying.

Tune in tomorrow to see what that actually means in the harsh light of day.

 

Perceptions and Pivoting

Around this time last year, I met a friend for coffee. And I remember telling that friend about how deflated I felt. I listed off all of the things I’d applied for. All of the opportunities I’d tried to get and failed to even secure an interview for.

I’d shot for the moon but had very much not landed among the stars.

Between now and then, so many bigger life changes have happened. Mental health breakdowns, friends leaving, a death in the family. Shit to put creative setbacks in perspective.

At this point, I can’t even remember what most of last year’s setbacks even were. But I do remember how they felt, especially now, as I’m in the midst of a fresh batch of rejection emails.

It’s so easy to feel defeated. To want to give up. I have cried literal tears on more than a few occasions. But I’m still glad I applied for the things I didn’t get. That I tried.

It’s so hard to get an outside perspective on yourself, but I’ve had people tell me that I come across as successful. As thriving. My writing and art flourishing.

They see the social media posts about the acceptances. The publications. The events.

Unless you’re also trying to ‘make it’, you have no idea that for everything that falls into place, there are five things that fall flat. And even if you are also in the same boat, it’s easy to think you’re alone there, because hardly anybody talks about the shit days.

The key is to keep pivoting. When something fails, you adjust your plan and make a new attempt. Then do it again, and again, and again, and––and someday, you hope to get where you’ve been aiming for the entire time. Or maybe a new place, that’s even better. But until then, as someone told me recently, it’s so important to remember why you got started in the first place.

You pick up a paintbrush, or a pen, or a camera not for possible awards, or gallery shows, or publishing deals. You do it because you need to express yourself. Need to feel the peace that comes only when you have let that expression happen.

This is a note to my future self, to not quit.

To listen to the friends who see your success and want to cheer you on. Friends who will listen to you moan and whine and complain on coffee dates. Friends who remind you of the important things. Because they are the important things.

Crowdfunding Stats

If you were ever curious about how the crowdfunding thing works behind the scenes, I’m here to lift back the curtain. Purely because I think transparency is important and the taboo around money needs to die.

So, let’s dive in.

On the surface, the crowdfunding campaign for my novel raised six-hundred-and-twenty (620) pounds. What I actually got in my bank account, after fees, was £535.51.

That’s a lot of fees, you might say to yourself, and I agree. IndieGoGo (my crowdfunding platform of choice) has two different types of campaign. Why I picked them is because they offer an option to get the funds you raise, even if you don’t reach your target. I think that if you picked the more standard method, of only getting funded if you reached your full goal, has a different set of fees. So there’s pluses and minuses to both.

What is the same with both is that the minimum goal amount you can set is 500, whether that is euro, dollars, or pounds––you choose whichever is most relevant for your country.

Charges deducted from my total were a £31 platform fee, a £28.49 payment processing fee (2.9% + £0.30 fee per transaction), and a £25 bank delivery fee, which I believe varies depending what country you’re in.

If I’d had over £1,000 pledged, the site would have also held some of my funds in reserve.

As you can see from the pie chart above, the funds came from four different countries: £280 from the UK, £250 from the US, £50 from New Zealand, and £40 from Canada.

When I set the campaign up, I think the guidance notes said, on average, most people get 30% of their pledges from family and friends, but for the 23 people who backed my campaign, 22 of them were my friends. There’s just one person who’s identity is a mystery to me, though likey I do know them, too, just don’t recognise their username. (The campaign page says I had 24 backers, but one of my friends contributed twice.)

My campaign had 260 total visits, with viewers coming from Facebook primarily, via a direct link in the second instance, and thirdly from Twitter. None of my funds came from people randomly scrolling through IndieGoGo, which I believe is uncommon.

The majority of contributions to my campaign came at the beginning, trailing off towards the end, which I understand is normal. And I think that’s basically all the info. I have to share. I hope it was interesting (I know I love these kinds of breakdowns), but if you have any questions, please let me know.

Thanks again to everyone who helped make my campaign a success.

School Days

During the intro session to my most recent round of counselling, I was asked (amongst other things) what my experience at school had been like. Terrible, I said.

In a previous blog post, I described a little of what happened around the implosion of my time at university. Elsewhere, I made reference to not being diagnosed with things (mainly, dyslexia and a sleep disorder) until much later that also definitely had a part to play in the terribleness of way back when.

Then, most recently, I listed ‘studying’ as something I wanted to in my autumn goals.

I have not, thus far, went into any of that in any great detail or brought all of those threads together to tell the full story of my failed studies and my plan for (hopefully) successful studies going forward. Today, that’s what I want to blog about. Or definitely that first part, because I don’t want this thing to be a million words long. I’ll tell you about my academic history here, and then I’ll come back and detail my future study plan in a separate post. Sound good? Good.

Okay, so… *takes deep breath* where to begin? Being a March baby, I was always one of the younger ones in my classes, starting school at age four. As far as I can remember (which isn’t very far at all), I had one year of playschool before Primary One.

In Northern Ireland, primary school is seven years (P1-7), high/secondary school is five years (1st to 5th form), and then sixth-form (two years: lower sixth and upper sixth) can optionally be studied at that same high school or at a college or “tech.”

I did three years at one primary school before my parents decided to move me to a different one for P4-7. This was a really great move and one I’m very thankful for. As I’ve said already, I don’t remember a lot of my early childhood, but I do know that I hated that first primary school. I vaguely recall getting in trouble a few times and struggling a lot with my reading and writing. In hindsight, struggling with reading and writing was probably a big reason why I got into trouble.

I still had my issues with reading and writing in my second primary school (I had them all the way up until university, in fact), but the environment of that second school was entirely different. I stopped being yelled at by teachers for being a kid and I started to thrive. I wasn’t very well-liked by the other school kids, but I was too oblivious to actually realise it at the time.

I was ignorant. It was blissful. I look back on those four years with affection.

Then high school happened. Continue reading

What I Make As a Writer

Some people are oversensitive about money. Some people will be scandalised that I’m about to break taboo in talking about it.

Some people, in my humble opinion, need to get over themselves.

I mean, yes, this stuff matters to some extent (I wouldn’t be blogging about it otherwise) but, in the grand scheme of things, it’s not half as important as we make it out to be.

It was back in May that I promised to lift the lid on my personal income but, all of the above said, I’ve actually gotten a slight case of cold feet between then and now.

Please understand that, when I criticise people for focusing on things that maybe don’t matter so much, I’m including myself in that too.

In my first post I was all like, ‘Yeah, I’m gonna be radical and awesome, breaking down barriers and laying all my sh*t bare!’ And then, having calmed down and thought about it some more, worry started to set in that people would see how little money we’re actually talking about and write me off as barely a professional.

I asked myself if I should wait until I was earning more before sharing my figures. Then I remembered that I was entirely missing my own point. I’m not making this blog post to be impressive, I’m doing it because I genuinely believe more open and honest discourse is needed and that everyone would be better off for it.

So, without further ado, here’s me putting my money where my mouth is:

I started freelancing during tax year 2013/2014 – the best part of six years ago. I’d just quit a “normal” job from hell (it was a call centre. Enough said.) and didn’t really know what I was doing, but I was enthusiastic. Foolhardy.

I was also living rent-free with my parents, which is a depressing yet important piece of contextual information.

For the first eight months, I earned nothing. Not a single penny. I call this my ‘year zero.’ Continue reading

On Lack of Success, Taboo, & Transparency

This post has been brewing for a while and, in that time, some other people have touched on similar points. Linked here you will find a post by Kelly McCaughrain (which references a thread by Claire Hennessy) which talks about rejection.

Rejection is something everyone faces, but ‘creatives’ most of all. The more art you make, the more you put yourself out there, and the more you’ll experience the full spectrum of reactions, from awe to apathy to the aforementioned rejection.

Statistically speaking, the apathy and rejections will far outway acceptance and adoration. As Kelly and Claire point out, that goes for published writers just as much as those who have never been in print. It’s something you will need to make your peace with if you’re to carry on submitting.

We all have wobbles – days where we doubt ourselves and our work – but, personally, I’ve made my peace best I can. To do this, I have two things in my arsenal: regular pep talks and a philosophy:

Lack of success does not necessarily equal failure.

What I mean by this, is that for every publication and showcase and competition and whatever else, there are a finite number of winners. There are also, almost always, an infinite number of entries.

It is literally impossible for everyone to be accepted and, therefore, when your piece inevitably isn’t accepted, it means just that: it hasn’t been accepted. What it does not mean is that you and your work have been actively rejected.

Yes, that’s a semantic difference, but it makes sense to me and – most importantly – it keeps me sane.

When I don’t win the thing I’ve entered, don’t get shortlisted, or even longlisted, I am sad. Of course I am. But I know deep down it’s not the end of the world. I really recommend forging a similar attitude and/or coping mechanism for yourself, if you can. (Yes, it’s one of those horrible ‘easier said than done’ things.)

I also have a slightly more daring suggestion: be honest when you’re struggling. Talk about your lack of success. Insecurities thrive in the dark, so drag them into public kicking and screaming. We’d probably all be better for it. Continue reading

On Letting Go (and Holding On)

My best friend and I used to squabble a fair bit. At the point in my life when we got close, during university, I was socially underdeveloped and incredibly oversensitive. My friend had street smarts but sometimes lacked empathy.

We’d squabble, but we’d always sort it out. It was never long before we’d be sharing jokes again because, despite our differences, we loved each other.

We still love each other, even though she’s living on the other side of the world and we haven’t seen each other in literal years.

She’s still my best friend (outside of my husband). She’d probably hate how soppy this all sounds, but our relationship is actually stronger now than it ever was back when we saw each other every single day.

But that almost wasn’t the case.  Continue reading

My Writing Journey (So Far)

How long have I been writing? It’s a simple question, but the answer is… not. In fact, far from being simple, the answer isn’t singular. There are a number of equally accurate responses, depending on what kind of writing you’re talking about.

In the bio that I share about myself all around the internet, I say I’ve “been writing poetry and short stories since primary school and been blogging for over ten years.”  Which is true and works well as a summary but, by its very nature of being a summary, leaves out some pretty key details.

I mean, everyone writes stories and poems in primary school, right? For class assignments if nothing else. It was just that I never really stopped.

I focused on poetry in high school. In the five years I was there (2000-2005), I think I wrote about 100 poems total. Some might consider that not many, some might count it as a lot. I guess it doesn’t matter either way because most of them have been lost (some intentionally and some inadvertently) in the years since.

In college (2005-2007 | ages 16-18), I don’t think I wrote anything other than a metric shit-ton of coursework.

My very first ever blog was made in February 2007, but I only got a couple of hundred words on there before I swiftly forgot about it. It was 2015 that I found it again, during a random Google search.

My time at university (2007-2010) was when I really got into blogging regularly (if not all in the same place).

2009 was the year I first attempted National Novel Writing Month, for which I completed a grand total of 216 words.

In 2011 I started writing posts for other blogs for free. (I mean – ahem – exposure.) And had my first ever poem published in an anthology – which turned out to be by a vanity publisher (not that I knew what that was).

I also signed up for a workshop with Nicola Morgan. I didn’t know it at the time, but it was a real turning point for me.

Continue reading

Checking In – February 2019

I’ve said here before that I need a certain headspace to write and that, by extension, when I’m sharing a lot of blog posts it’s a very good indication that I have said headspace and am doing well.

Well, for the past few days I have wanted to blog but haven’t quite summoned the will to put fingers to keys. I have ideas for posts sitting in draft form, but no motivation to finish them.

Instead, there is this: a blog post about how I want to blog but am too tired.

Thrilling content, I know, but it’s what my life is at the minute.

I’m mentally and physically exhausted right now but –– and this is a very important but –– I am not burned out. So far this year, I’ve managed to avoid that. I mean, sure, we’re not too far into the year and it could very easily go downhill that way, but I’m looking at the positive here.

I’m working hard.

I am proud of the things I’m getting done.

Feer-er days are on the horizon.

The Reality of Being a Writer in Poverty

Photo by Steve (via Instagram)

These past two weeks have been really difficult and, honestly, I’m feeling really low right now. You would think I’d still be top of the world since the wonderful news of my last post but, as often happens in life, good news was followed by bad. But let me rewind for a second, in case you’re still catching up:

Just over two weeks ago, I shared the wonderful news that I’m one of the lucky applicants to receive a grant from the Arts Council of Northern Ireland to help support me as I write my second novel.

As of today, I’m still waiting on that payment. What has happened in the meantime is that our dog got sick and needed to go to the vet, the vet fees used the last of our food money, we struggled to cover the basics of just bread and milk for four days, in the middle of which, my laptop died. As in completely dead. Unrecoverable.

Needless to say, not only has my attempt at NaNoWriMo stalled, but writing in general is not exactly going well.

I know things are not as bad as they could be — after those particularly bad four days I mentioned, my husband received a welfare payment, taking the pressure off again, and my dog is mostly better. Steve has been lending me his laptop, and the Arts Council money is still coming (I dread to think what I would do if t wasn’t!) — but, even so, I’ve been in a bad headspace.

There’s still a fairly prevalent stereotype of starving artists, and how they almost need difficult circumstances to help fuel their creativity.

Well, I say bollocks to that.  Continue reading