I have something a bit different on this blog today for you, folks: an interview with local poet Colin Dardis about his new poetry collection, the Dogs of Humanity. Without any more preamble, let’s get into it!
Can you tell us a little about the themes of the collection?
I’m not a massive fan of reducing a collection down to themes; for a poetry book, it’s almost an injustice, although it has to be done. I don’t read collections due to the themes mentioned; I read because I want to be subjected to strong, startling poetry. For example, I have no interest in beekeeping, but I absolutely adored Sean Borodale’s Bee Journal.
To be absolutely drawn on themes, the poems use dogs and other animals as a central motif to look at how people treat each other in an increasingly toxic world, touching on bullying, self-identity, chauvinism and mental health. But there’s also so much more. As Mary O’Donnell kindly said in her blurb, there is “an avoidance of zeitgeist poetry, what really sets the work apart tonally and in subject is its assumption of a counter-position at all times.” That counter-position could be the schism between the individual and society, between perceived norms and personal attitudes; but it’s equally a stance that allows any subject matter to be explored, as long as it is well written. That’s what poetry validates.
Why did you feel drawn to the themes? How did it all come together?
The poet, at the starting point, is drawn to every poem they write as they are compelled to write them. In some ways, your best poem is always your most recent poem, as that has been the one that allows the poetic muscle to continue flexing. Only with time and distance however does the poet realise which pieces will continue to speak to them, and for them. Therefore, almost all the poems in Dogs have been about for a while. Only the closing poem would have been written from scratch in the past year. Many predate poems that were in ‘the x of y’, my previous collection.
Fly on the Wall Press had a call out for chapbook submissions at the end of last year. I knew I had a number of poems mentioning dogs; a few years ago I had done a set at a reading exclusively of dog poems. The collection bloomed out of that, and Isabelle Kenyon at Fly on the Wall Press was immediately on board with the idea. She’s made the whole process very easy, and has been incredibly supportive and motivated in spreading the word about the book. Continue reading