FanFic Writing Update 2019

I usually share some statistics regarding my fan fiction on the 28th of July each year (the anniversary of when I first started writing fanfic). This year, I wasn’t too bothered about it, but I do actually have some news to share in that regard so am deciding to write about it after all. Better late than never!

As I acknowledged in my annual fan fiction round-up post last year, I won’t always have the opportunity to write as much fanfic as I do right now, at this stage in my life.

If and when I get a publishing contract, my focus will be on working with my own characters and worlds.

So, as much as I’m impatient to hurry along any future success in that regard, I’m using the opportunity currently afforded me of not being on book deadline to continue work on my (unpaid) passion projects.

This past year, I wrote some new stories and finished off a couple of other pieces that had been left abandoned for way too long. I also won Elysian’s Field’s ‘Author of the Month‘ award – something I have coveted since it was first announced, a few years ago.

I continued the mega task of re-editing and uploading my older work to Archive of Our Own and, in completing my outstanding WIPs, ticked off another goal I’d been working towards: finishing with Fanfiction.net

All of the stories I have published on FF will remain there, but I won’t be adding any new pieces to that site (those will continue to be shared on Ao3 and Elysian Fields).

In the image on the right are my ‘legacy user stats’ as of the day I uploaded my last chapter to FF.

By this time next year, my goal is to have finished archiving old work to Ao3. Beyond that, I can only hope to have acquired one of those lovely publishing contracts, but we’ll see how it goes.

Life Advice from a Thirty Year Old

Sylvia Plath was thirty-years-old when she died. This is a sobering fact I have only just learned, having googled her to directly reference her fig tree analogy.

When I lie awake at night, I often think of the fig tree she described in the Bell Jar. Of all of the opportunities and the paralysing fear over picking one of them.

Somewhat fittingly, I have started to write this post several times, each with a different slant, only to scrap my words and start again. I almost scrapped the idea in its entirety, worried that not being able to select and follow a narrative was a sign that the whole thing wasn’t going to work.

Here’s a fun fact: life has many narratives. That’s the whole point!

I always felt like the fig tree analogy spoke to a deeper truth but from my perspective now, as a thirty-year-old myself, I actually feel there’s a lie at the core of it: “Choosing one meant losing all the rest.”

NO!

Choosing means choosing and nothing more. You can change direction down the road.

Changing direction is normal.

Changing direction can be the best thing ever.

Turning down one opportunity might mean it is gone and will never be open to you again but for every turn-off you miss, there is a literal infinite number of others and THAT’S OKAY. In many cases, that’s actually fantastic. Revel in the freedom of this knowledge.

Missed opportunities are not the end of the world, friend. I wish to god someone had sat me down ten years ago and told me that. Continue reading

The Dogs of Humanity by Colin Dardis

I have something a bit different on this blog today for you, folks: an interview with local poet Colin Dardis about his new poetry collection, the Dogs of Humanity. Without any more preamble, let’s get into it!

Can you tell us a little about the themes of the collection? 

I’m not a massive fan of reducing a collection down to themes; for a poetry book, it’s almost an injustice, although it has to be done. I don’t read collections due to the themes mentioned; I read because I want to be subjected to strong, startling poetry. For example, I have no interest in beekeeping, but I absolutely adored Sean Borodale’s Bee Journal.

To be absolutely drawn on themes, the poems use dogs and other animals as a central motif to look at how people treat each other in an increasingly toxic world, touching on bullying, self-identity, chauvinism and mental health. But there’s also so much more. As Mary O’Donnell kindly said in her blurb, there is “an avoidance of zeitgeist poetry, what really sets the work apart tonally and in subject is its assumption of a counter-position at all times.” That counter-position could be the schism between the individual and society, between perceived norms and personal attitudes; but it’s equally a stance that allows any subject matter to be explored, as long as it is well written. That’s what poetry validates.

Why did you feel drawn to the themes? How did it all come together?

The poet, at the starting point, is drawn to every poem they write as they are compelled to write them. In some ways, your best poem is always your most recent poem, as that has been the one that allows the poetic muscle to continue flexing. Only with time and distance however does the poet realise which pieces will continue to speak to them, and for them. Therefore, almost all the poems in Dogs have been about for a while. Only the closing poem would have been written from scratch in the past year. Many predate poems that were in ‘the x of y’, my previous collection.

Fly on the Wall Press had a call out for chapbook submissions at the end of last year. I knew I had a number of poems mentioning dogs; a few years ago I had done a set at a reading exclusively of dog poems. The collection bloomed out of that, and Isabelle Kenyon at Fly on the Wall Press was immediately on board with the idea. She’s made the whole process very easy, and has been incredibly supportive and motivated in spreading the word about the book.  Continue reading