Writing Goals for the Second Half of 2018

Being pretty much halfway through the year, I thought it would be a good time to refocus myself and set some goals for the next six months.

I’ve come up with five specifically writing-related ones.

Here goes…

1. Put a Big Dent in Book Two

Having completed a novel during the first half of 2018, I want to start work on a second – the sequel. Mostly, I see myself doing this during CampNaNo in July and NaNoWriMo in November, setting myself up to finish it during CampNaNoWriMo in April 2019.

2. Finish One Piece (Short Story or Poem) a Month

Given that I have so many things half-written, this shouldn’t be too difficult. I just need to dig them out and wrap them up. (It helps that I already have a spreadsheet for this.)

3. Submit Two Pieces Per Month for Publication

This one’s pretty self-explanatory. There’s no point in finishing things up and having a back catalogue of work if I’m not gonna do anything with it. Already, I have a bunch of completed works sitting doing nothing. I’m gonna get on that.

4. Self-Publish Two Micropoetry Collections

I have both of these almost ready to go and have done for some time. Why I haven’t finished the polishing process and pressed ‘publish’, I’m not quite sure. I just wanna get them out into the world already.
Torn between having a launch this summer or trying to get them out for National Poetry Day in October, I’ll be happy as long as they’re complete this year. Details to follow on that soon.

5. Acquire Literary Agent and Join the Society of Authors

This has been on my list – and, indeed, a few different lists – for a long time. Eventually, it’ll happen and I’ll keep going (and keep including it on my ‘to do’ lists) until it does.

On Impatience and Self-Publishing

When I first found out I could produce a book and put it out into the world all by myself, I got so excited I jumped at the chance. Then I jumped a second time, and a third. Suddenly, I wanted to self-publish everything. Within a few months, I had several projects planned and– yep, I basically got wayyy ahead of myself.

Not all of the projects I planned saw the light of day, in the end, and I think that’s for the best.

As I said in my previous post, I wasn’t ready to self-publish when I first did. I just didn’t know enough to realize how much I didn’t know.

In part, I’ve been thinking about this because I’ve joined the recently formed Irish Independent Authors’ Collective. It’s also on my mind because I’m trying to get traditionally published at the moment as well.

At some point, I started thinking a bit more long-term and realized that all of my impulse publishing decisions might have hurt my writing career in the long run, which – oops?

Let me not beat around the bush: the very first books of mine ever printed were sub-par quality, and I’ve had to spend a LOT of time and effort re-doing them in the years since. The editions available to buy now I’m mostly okay with but, if I could do it all again, I’d have brought out fewer titles and spent more time over each of them.

I would still have self-published Juvenilia (the bind-up of my teenage poems), brought out a poetry chapbook as a stepping stone to submitting a full-length poetry collection to traditional publishers, and maybe released a short story collection (that just had stories and was not mixed in with poems) as I worked towards my novel, which I would aim (and still do aim) to get traditionally published.

I like the idea of being a “hybrid” author – having a foot in each camp – a lot. In the modern day, I think it makes sense to try and build an audience while you’re trying to attract an agent.

BUT – and here’s the kicker – only if you’re ready.  Continue reading

How to Get Your Poetry Published, the Traditional Way

When I had been writing poetry for a few years, had a decent sized bank of poems built up and felt ready to share it with the world, I turned to the internet to find out how one went about being published.

Google was not kind to me.

What my limited research told me was that my dream of being a published poet was just that – a dream. That there was very little point in trying, as only people who were already famous stood a chance of getting published. And even then, it was a small chance. “No one reads poetry,” said one reply.

Well, that was that then. Or so I thought. I accepted my findings and, although I kept writing poems, I gave up on the hope of seeing them in print.

It didn’t occur to me that the research might be wrong. That I, in myself, was proof that it was. I mean, I must have known that at least people read poetry, because I was one of them.

But the people of the internet seemed convincing and I took them to be experts. Before I joined Women Aloud NI, I didn’t know any other writers. I didn’t have their experience to compare with what I’d been (wrongly) told.

You might ask why I was misled in such a way, and I think there are a few reasons for that. Partly, it was because what I was told wasn’t entirely wrong. Like any good lie, there was an element of truth to it. Matched with other’s anecdotal evidence and my own insecurities, it seemed like a closed case.

So, what’s the truth? You can get published – it is possible – but it’s also difficult.

To make it just a little easier, I’m going to outline how it’s (usually) done. Continue reading

Writer Confessions

I never read much as a child. In fact, as a very young kid, I remember having problems physically reading out loud – trying it would make my breathing go all weird. Maybe it was an anxiety thing, similar to a stammer, I don’t know, but I’d have to stop after each word – each and every single word – and gulp down a breath before I could try the next. That was when I was first learning to read and, as you can probably guess, wasn’t a positive experience.

Around that time, I remember being at a meeting between my teacher and my mother. They were discussing problems I was having with learning to write – my handwriting being unreadable, spelling being way off, and a bunch of my letters muddled, backwards, or in the wrong order.

As an adult looking back at that memory, I shake my head and wonder how on earth it didn’t ring alarm bells signalling something was wrong. But, well, either the alarms didn’t go off or no one was listening.

I was almost twenty when I was diagnosed with dyslexia. Huzzah! Suddenly, everything made sense, even if it was a bit late to save my university career.

In the intervening years between my early school experiences and my later ones, I fell in love with books. Or, at least, the idea of books.

I had started collecting books that seemed really interesting and made a list of books I wanted to write but, while I was writing a little (mostly emo poetry and short stuff that should never and will never see the light of day), I was intimidated by anything over three pages and didn’t actually try and read any of the books I acquired.

Actually, I was so clueless about which books were age appropriate and what might suit me that the ones I did have – picked out of a box at a jumble sale based completely on the covers and how cheap they were – really only worked as pretty things to look at and collect. I’d bought huge, dense tomes that most adults would struggle with and had no idea what genres I liked or even what a genre really was.

It’s not the beginning you would expect from someone who now writes professionally and reads roughly fifty books a year, right?  Continue reading