Thoughts on Kindle Worlds

As I said in a previous post, I write a fair bit of fan fiction. I also said I had no intentions of publishing it for profit, mainly because doing so wasn’t really an option. The copyright issues are unclear to say the least, and making money off fanfic is not why I write it. That said, I recently was reading about Kindle Worlds, and it changes things, slightly.

Now, Kindle Worlds has existed for about two years, and apparently there was a big uproar about it in the fanfic community in general, and on Tumblr in particular, when it was first announced. Don’t ask me why I’ve never heard about it before, because I’m as baffled as you.

For those who, like me, don’t know what it is, basically Amazon have a branch of the Kindle store specifically dedicated to paid, legal fan fiction. The catch is they only have permission to do this within certain “worlds” (i.e. fictional universes, or fandoms). Oh, and you also need a bank account in the US.

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Thoughts on Self-Publishing

I’ve self-published a few books, so far, and I intend to release more in the future, but I wouldn’t consider myself an expert on the topic by any means. Of course, that doesn’t stop me from both A. having opinions, and B. wanting to share those opinions, which is what I’m going to do here. If you want to read more about the actual process I went through in making my books a reality, you can do so over here.

So, what are my overall thoughts on self-publishing? It can be great. Key word: can. It can also be awful, if you do it wrong. But, generally speaking, I’m in favour of it. I like the opportunities it gives to people who – for whatever reason – can’t or don’t want to be traditionally published. That’s not to say I’m not in favour of traditional publishing, because I am. They’re both good, for their own reasons, and in their own ways. I think some types of books are more suited to one particular publishing method than the other and, when it comes to my novels, I want to go down the traditional route, only using self-publishing as a plan B.

I self-published ‘Still Dreaming’ and ‘Wake’ because it suited the books and it suited me, at the stage of my writing career I was at (i.e. the very first stage). Traditional publishing wasn’t a real, tangible option for them at that time, mainly because they were works of poetry and short stories, which are also known as ‘things most reputable publishers won’t touch with a barge pole unless the author is already very famous’. As sad as it is, that stance is completely reasonable for publishing houses to have because the chances of them selling these types of books in large enough quantities for them to break even – let alone make a profit – are very low.  Continue reading