Life Advice from a Thirty Year Old

Sylvia Plath was thirty-years-old when she died. This is a sobering fact I have only just learned, having googled her to directly reference her fig tree analogy.

When I lie awake at night, I often think of the fig tree she described in the Bell Jar. Of all of the opportunities and the paralysing fear over picking one of them.

Somewhat fittingly, I have started to write this post several times, each with a different slant, only to scrap my words and start again. I almost scrapped the idea in its entirety, worried that not being able to select and follow a narrative was a sign that the whole thing wasn’t going to work.

Here’s a fun fact: life has many narratives. That’s the whole point!

I always felt like the fig tree analogy spoke to a deeper truth but from my perspective now, as a thirty-year-old myself, I actually feel there’s a lie at the core of it: “Choosing one meant losing all the rest.”

NO!

Choosing means choosing and nothing more. You can change direction down the road.

Changing direction is normal.

Changing direction can be the best thing ever.

Turning down one opportunity might mean it is gone and will never be open to you again but for every turn-off you miss, there is a literal infinite number of others and THAT’S OKAY. In many cases, that’s actually fantastic. Revel in the freedom of this knowledge.

Missed opportunities are not the end of the world, friend. I wish to god someone had sat me down ten years ago and told me that. Continue reading

On Being Strong

There are many different definitions of strength. Most of them, I find, are inadequate. Strength isn’t the absence of fear or weakness, and it isn’t something purely physical.

I’m partially thinking about this because I’ve been rewatching Buffy the Vampire Slayer season seven, these past few nights, but also because strength is something I’m constantly striving for. I have to remember that being strong is also not the same thing as being hard on yourself. I mean, sometimes it is, but not all the time.

I’ve done a lot of hard things in my life so far – fought through a fair few difficult situations – and where I am now, I have more hard things in front of me.

I am fighting against my body and the medical condition I have to get pregnant.

I am trying hard to lose weight – something that even people without PCOS struggle to do.

I’m also trying to secure a publishing deal.

These are big things. A lot of people much better than me have spent big chunks of their lives tackling one or other of these. The fact that I’m struggling with them is not a sign of weakness. Or, maybe it is, but that weakness isn’t necessarily a bad thing.

Sometimes, I gotta cut myself some slack.

I cannot be top of my game, doing my very best, all of the time.

Being strong is not an absence of weakness, it’s accepting the things holding you back – the things failing and falling apart – and going on, regardless.

I am both weak and strong. That’s okay. The same is true of all people, even slayers. I just need to remember that.

On Researching Contemporary Fiction

I don’t think it’s particularly big-headed to say I have a somewhat decent set of writing skills at this point – it is my job, after all – but world-building is definitely not something that comes to me naturally. This didn’t matter, I told myself, because I mainly write stories set in the real world in the modern-day.

Well, as you can probably guess, I was wrong.

I may have been basing my descriptions on places and things that already exist, but I don’t have an encyclopaedic knowledge of stuff even I know fairly well. Like, I can picture a road I’ve walked down dozens of times, but I won’t necessarily know the name of that road because it hasn’t ever been relevant to me before. And the thing about characters is that, if done right, they take on a life of their own, which means things will be relevant to them that have nothing to do with you as a writer.

If you don’t want your reader to stumble over something out of place, sooner or later, you’ll have to look things up. Even if the real world is your source material, the reader probably won’t know which part of it you’re drawing direct inspiration from, so you’ve got to rebuild that world inside their head – not as big a deal as creating an imaginary empire from scratch, but still no mean feat.

In preparation for National Novel Writing Month last year, there were a series of Instagram inspiration prompts and one of them was ‘Last Writing Related Search.’ Displayed in the photo, below, is what was in my Google search history.

Yes, it was all research for my book, odd as it may sound.

Since then, I’ve actually gone even further, to figure out what subjects my main characters would have studied at G.C.S.E., what dates the exams would have been on, and plotted this info on a calendar next to the plot points of the book.

No one else is ever going to need this information, and it doesn’t end up in the book directly, but it certainly helped me get my head around timelines and pacing, which ultimately makes the book better. Continue reading

What Literary Agents Do For Authors

This post comes directly from my notes of the recent publishing conference I attended in Dublin. For more general info and advice from that event and another one I attended in Belfast, please click here

If you’re new to the world of writing and have heard people talk about trying to get an agent, you might well be wondering what these mystical creatures are and what they do. Well, wonder no longer, because I’m about to spell it out. And – spoiler! – it’s more than just taking a cut of authors’ earnings.

Agents are…

1 – Advocates

On the most basic level, an agent is a third party who can enhance (or engineer) an interaction between two other parties. In the literary world, they are the middle man (usually a woman, in fact) who brokers a deal between writers and publishers.

Can’t writers submit to publishers directly, though? Some of them, yes, but the ‘big five’ publishers (and their imprints, who make up most of the market) usually only take submissions sent via agencies.

2 – Buffers

Imagine the scene: you’ve managed to get a publishing deal all on your own, but something has gone wrong. Perhaps the publisher has chosen the most hideous cover. You’re upset and you have no idea how to communicate this to your publisher. You worry they won’t take your criticism well, or that they’ll change their mind, so you’re left with the choice of accepting a cover you hate or risk rocking the boat by being seen as difficult.

Well, with an agent, you don’t need to worry. They will have this conversation for you.

3 – Knowledgeable

These points are in no particular order but if I was to rank them, this would probably be first.

Publishing deals are complicated beasts involving the sale of rights in a number of regions and formats: paperback, ebook, and audio as well as film, TV, and stage. Got an agent? You don’t need to stress over the fine print of any of it! They know all about shifts in the market and changes to the going rate. Nine times out of ten, they will get you a better deal than you could on your own. Continue reading

On Taking Opportunities

It is my firm belief that success rarely happens on its own. There’s a huge amount of random chance involved in winning the lottery, but there’s always another key ingredient, too: buying a ticket.

Award-winning author Kit de Waal wrote a piece for the Bridport Prize website urging people to enter competitions. Lots of them, in various different shapes and sizes; paid and unpaid.

I found this advice as I was reading through this year’s website, preparing to put my work forward for a few of this year’s prizes (the Bridport actually being made up of a few different competitions: one for poetry, one for short stories etc).

Kit de Waal offered up five bursaries to people wanting to enter the flash fiction competition. I was eligible, I entered, and I won one of those five chances to enter the flashfic competition for free.

On top of this, I paid to enter the poetry competition and the short story comp.

Fingers crossed something comes of it. I’d love to be able to end this post with a big success story to perfectly illustrate my point, but I don’t think the pay off is the point at this stage. Success will come in time, I’m sure. If not with this competition then somewhere else.

I also think successes tend to build on themselves.

Once you’ve won an award for a short story (for example), you won’t necessarily find it easier to hook a literary agent for your novel, but it might help and, in the meantime, other doors may open.

All that’s in the future, though. The main takeaway message for right here, right now, is to try. And to keep trying. Continue reading

Letter to my Past Self

Dear Eighteen-Year-Old Ellie,

First things first, you change your name to Ellie. It’ll take a while for you to figure out, but the person you’ve been to this point isn’t the real you. More on that later. In terms of the name change, though, it’ll be easier for you from a practical point of view if you do it before you go off to university. Getting people to call you your preferred name is a lot easier when it’s the one you introduce yourself as.

And speaking of university… I know you’re excited, but don’t study forensic science, it will kill all of the interest you have in the subject. Also, you don’t have enough knowledge about politics outside Northern Ireland to study criminology. Come to think of it, you don’t have enough knowledge of politics inside Northern Ireland, either. I know you have a lot of strong opinions, but most of them are ill-informed.

The world is not as black and white as you think it is.

I know this is going to come as a pretty huge shock, but you will lose your faith. You will make your peace with that. I promise it’s not the bad thing you think it is. Honestly, the change makes you less of a dick. Religion, as you’ll find out, is mostly a tool used by privileged people to hate and oppress others. You won’t want a part in that once you’ve seen the damage it can do first hand.

Try and minimize your own personal range of damage. Don’t hate on your own gender, or those who make decisions differently to you. Learn to listen instead of arguing ­– you are better than the example that has been set for you.

You are not your mother.  Continue reading

Things I Wish I’d Known About Counselling

I finished a series of counselling sessions recently which I found very helpful. I’ve had good counselling experiences before that, too, but I’ve also bad ones. Because of this, and because getting help can be a daunting experience, I wanted to impart some advice. So, here’s some things that I feel should be common knowledge but aren’t, necessarily:

1. There are different types of counselling

There can be no ‘one size fits all’ approach to mental health because we’re individuals and all of our issues are entirely unique. When most people think about counselling, they imagine sitting talking through their issues, either one by one as they occur to them, or as a kind of word vomit that they’ll then sift through (hey, no one said it would be pretty). This is ‘talk therapy’ and it’s what I personally prefer, but there are a million other ways of doing things. Some will suit you, some won’t. Some are best suited to dealing with different kinds of things, it depends what you want out of therapy. If you want to change or stop a destructive habit, for example, Cognitive Behavioural Therapy (CBT) might be for you.  Continue reading

On Impatience and Self-Publishing

When I first found out I could produce a book and put it out into the world all by myself, I got so excited I jumped at the chance. Then I jumped a second time, and a third. Suddenly, I wanted to self-publish everything. Within a few months, I had several projects planned and– yep, I basically got wayyy ahead of myself.

Not all of the projects I planned saw the light of day, in the end, and I think that’s for the best.

As I said in my previous post, I wasn’t ready to self-publish when I first did. I just didn’t know enough to realize how much I didn’t know.

In part, I’ve been thinking about this because I’ve joined the recently formed Irish Independent Authors’ Collective. It’s also on my mind because I’m trying to get traditionally published at the moment as well.

At some point, I started thinking a bit more long-term and realized that all of my impulse publishing decisions might have hurt my writing career in the long run, which – oops?

Let me not beat around the bush: the very first books of mine ever printed were sub-par quality, and I’ve had to spend a LOT of time and effort re-doing them in the years since. The editions available to buy now I’m mostly okay with but, if I could do it all again, I’d have brought out fewer titles and spent more time over each of them.

I would still have self-published Juvenilia (the bind-up of my teenage poems), brought out a poetry chapbook as a stepping stone to submitting a full-length poetry collection to traditional publishers, and maybe released a short story collection (that just had stories and was not mixed in with poems) as I worked towards my novel, which I would aim (and still do aim) to get traditionally published.

I like the idea of being a “hybrid” author – having a foot in each camp – a lot. In the modern day, I think it makes sense to try and build an audience while you’re trying to attract an agent.

BUT – and here’s the kicker – only if you’re ready.  Continue reading

How to Get Your Poetry Published, the Traditional Way

When I had been writing poetry for a few years, had a decent sized bank of poems built up and felt ready to share it with the world, I turned to the internet to find out how one went about being published.

Google was not kind to me.

What my limited research told me was that my dream of being a published poet was just that – a dream. That there was very little point in trying, as only people who were already famous stood a chance of getting published. And even then, it was a small chance. “No one reads poetry,” said one reply.

Well, that was that then. Or so I thought. I accepted my findings and, although I kept writing poems, I gave up on the hope of seeing them in print.

It didn’t occur to me that the research might be wrong. That I, in myself, was proof that it was. I mean, I must have known that at least people read poetry, because I was one of them.

But the people of the internet seemed convincing and I took them to be experts. Before I joined Women Aloud NI, I didn’t know any other writers. I didn’t have their experience to compare with what I’d been (wrongly) told.

You might ask why I was misled in such a way, and I think there are a few reasons for that. Partly, it was because what I was told wasn’t entirely wrong. Like any good lie, there was an element of truth to it. Matched with other’s anecdotal evidence and my own insecurities, it seemed like a closed case.

So, what’s the truth? You can get published – it is possible – but it’s also difficult.

To make it just a little easier, I’m going to outline how it’s (usually) done. Continue reading

On Getting Help

So, it’s mental health day again. I’ve seen a lot of great posts floating around on the internet – poems and blog posts about what it’s like to have a mental illness, ones intended to inspire and uplift those who are feeling down, and a lot of statuses advising people to reach out and get help if they need it. Which is all great.

Except, what does reaching out and getting help entail, exactly?

While I was at university, I had what I now describe as a breakdown. At the time, I didn’t know what it was. I didn’t know who I was, what I was doing, or how to stop hurting. Needless to say, it was terrifying.

I had a decent sized social circle, so a lot of people knew I was having problems. Some knew more than others, of course. But no one really knew the full ins and outs of it – how could they, when I didn’t understand it myself?

In a lot of ways, I was crying out for help. And many of them tried to help, but only a few actually did.  Continue reading